Interview with Charles Villeneuve
1. Charles, your background is fascinating: painter, designer, architect… How do these disciplines interact within your artistic work?
“I see architecture, design, and painting as complementary languages. They all express the same quest for balance, precision, and beauty. In my watercolors, for example, architectural rigor coexists with the freedom of the pictorial gesture.”
2. You are a master of large-format painting. Working with watercolor makes it even more challenging. How do you feel when facing such a scale?
“Painting on a large format is like standing at the edge of a precipice! One wrong move, one moment of distraction, and the work — the fruit of weeks of labor — disappears. It’s a challenge that demands extreme concentration, but it’s also what makes each work vibrant and unique”.”
3. What are you passionate about?
“Passion has always been my driving force.
Music, design, creation, architecture, literature — they form the vibrant landscape of my life.
I’m fascinated by the act of observing: allowing my gaze to slip into the fine details of a mechanism, the subtle shifts of light, the lines of a design.
This attention to detail naturally draws me to fine watchmaking.
There’s something almost hypnotic about the precision of a beautiful timepiece — a precision that mirrors what I seek to express through my drawings.”
4. Where does your inspiration come from?
“Inspiration comes from everything that surrounds me. At the very heart of these watercolors is drawing — the purest foundation of my work as an architect. A sketch often emerges spontaneously, like a breath. I never seek to rework or refine it; I let it be. I always keep a sketchbook by my side, even as I sleep. Often, at first light, I trace the form in a single, uninterrupted gesture. My sketchbook travels with me everywhere — a silent witness to fleeting visions and an extension of my inner world.”
5.You recently collaborated with fashion designer Marcos Luengo. What did this experience bring you?
“It was an exciting project. Working with fashion allowed me to explore the interaction between the movement of the body and the movement of the line. It was a natural extension of my work on fluidity and structure.”
6. If you were at the airport facing the departure board, where would you like to go?
“I love to travel and would love to paint every main capitals of the world”.
7. Where can we have a chance to meet you?
“In Madrid, where I live !”
8. Your current series invites viewers to “learn how to truly see.” What do you hope to convey to the audience?
“I want to invite everyone to slow down, to immerse themselves in the work as one would listen to a piece of music. The eye must wander, lose itself in the details, and then find its way back. It’s a sensory experience — you don’t just look with your eyes, you look with your soul.”
9. What are your most cherished exhibition memories?
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10. An advice or a sentence that struck you?
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11. A habit or an obsession?
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12. A movie, a book or music you love?
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13. A regret? A dream?
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14. What makes you laugh?
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